Selected Works

A chronologically ordered list is available here. Hard copies of selected scores are published by the Australian Music Centre.

Performance-installations

one to one (2018-20) is an intimately staged sequence of three performances, each for one performer and one audience member at a time, comprising:

  • one to one (2018-19) for vocalizing violinist and audient [score] for Marco Fusi

  • tend (2019) for gesturing, vocalizing performer and audient [score] for Winnie Huang

  • enfold (2019-20) for pianist on an amplified, old upright, and audient [score] [publication] for Gwen Rouger

    (Each piece may also be performed separately as a stand alone event)

Caravan (2014-15/17) performance and staging by Gwen Rouger, music and text by Charlie Sdraulig

Composed theatre

whispering in one another's ears (2017-18) for six performers, objects, lighting, and four-channel electronics; for mocrep

Solos

aside (2021) for solo violin; for Mia Stanton, commissioned as part of the ANAM set

collector (2014-15) for solo piano [score] for Zubin Kanga

category (2013-14) for solo tuba [score] for Max Murray

few (2013) for solo voice [score]

Duos

arc (2022-23) for cello and electronics [score] for David Moran

we've never been so close (2016-17) for solo voice and electronics for Joshua Hyde

alike and apart (2016) for two performers for Weston Olencki and Mattie Barbier (RAGE)

one and another (2015) for two voices (and electronics) [score] for the Quince Contemporary Vocal Ensemble

between (2012-13) for flute and violin [score]

trace (2012) for descant recorder with piano, both amplified [score] for Hannah Coleman, recorder and Anne Veinberg, piano

hush (2011-12) for harp and cello [score] for Martino Panizza and Alice Purton

Trios

Tether studies (2020-21) for viola and/or prepared glockenspiel, and electronics [viola score] [percussion score] for Phoebe Green and Leah Scholes, supported by Speak Percussion as part of their SD Series 2.0

ground (2018-19/22) for Trumpet in C, Trombone, and electronics; for ELISION

many translations (2017) for amplified percussion trio for line upon line percussion

no one both (2013) for violin, viola and cello [score] for Ensemble SurPlus at the 2013 Schloss Solitude Summer Academy 

close (2012) for shakuhachi, voice and a bowed string [score] for the Atlas Ensemble 
Version for clarinet, voice and a bowed string [score] for Apartment House

Ensemble

Crying wolf (2019) for amplified vocalist, large ensemble (13 players), and electronics [score] for Ensemble Dal Niente

fade (2018) for (6 or more) amplified vocalists, sound engineer, and dynamic noise floor; for Ekmeles

apart and alike (2017) for two unequal groups (7 or more performers), and a moderator for James Weeks and the CoMA workshop

scan (2016-17) for amplified string quartet (or octet) for the Spektral and JACK quartets

binary (2013-17) for flute, clarinet, percussion, violin, viola and cello; for Distractfold

See my CV for a more extensive list of pieces and performances. Please get in touch for performance materials and media not available here.