Selected Works
A list ordered by instrumental forces is available here. Hard copies of selected scores are published by the Australian Music Centre.
Current
[untitled work] for gesturing performer, pressure-sensitive floors, and electronics for Iran Sanadzadeh
[untitled work] for saxophone and electronics for Joshua Hyde
2023
arc for cello and electronics [score] for David Moran
2022
ground for Trumpet in C, Trombone, and electronics [score] for ELISION
2021
aside for solo violin [score] for Mia Stanton, commissioned as part of the ANAM set
Tether studies for viola and/or prepared glockenspiel, and electronics [viola score] [percussion score] for Phoebe Green and Leah Scholes
Supported by Speak Percussion as part of their SD Series 2.0
2020
one to one is an intimately staged sequence of three performances, each for one performer and one audience member at a time, comprising:
one to one for vocalizing violinist and audient [score] for Marco Fusi
tend for gesturing, vocalizing performer and audient [score] for Winnie Huang
enfold for pianist on an amplified, old upright, and audient [score] [publication] for Gwen Rouger
(Each piece may also be performed separately as a stand alone event)
2019
Crying wolf for amplified vocalist, large ensemble (13 players), and electronics [score] for Ensemble Dal Niente
2018
fade for (6 or more) amplified vocalists, sound engineer, and dynamic noise floor; for Ekmeles
whispering in one another's ears for six performers, objects, lighting, and four-channel electronics; for mocrep
2017
apart and alike for two unequal groups (7 or more performers), and a moderator for James Weeks and the CoMA workshop
many translations for amplified percussion trio for line upon line percussion
Caravan performance and staging by Gwen Rouger, music and text by Charlie Sdraulig
scan for amplified string quartet (or octet) for the Spektral and JACK quartets
we've never been so close for solo voice and electronics for Joshua Hyde
binary for flute, clarinet, percussion, violin, viola and cello; for Distractfold
2016
alike and apart for two performers; for Weston Olencki and Mattie Barbier (RAGE)
2015
one and another for two voices (and electronics) [score] for the Quince Contemporary Vocal Ensemble
collector for solo piano [score] for Zubin Kanga; featured in Caravan
2014
category for solo tuba [score] for Max Murray
2013
no one both for violin, viola and cello [score] for Ensemble SurPlus at the 2013 Schloss Solitude Summer Academy
few for solo voice [score]
between for flute and violin [score]
2012
close for shakuhachi, voice and a bowed string [score] for the Atlas Ensemble
Version for clarinet, voice and a bowed string [score] for Apartment House
trace for descant recorder with piano, both amplified [score] for Hannah Coleman, recorder and Anne Veinberg, piano
hush for harp and cello [score] for Martino Panizza and Alice Purton
See my CV for a more extensive list of pieces and performances. Please get in touch for performance materials and media not available here.